Matt Bishop: Maria Teresa de Filippis blazed trail for women in lethal F1 but 'just wanted to race'

F1
Matt Bishop profile pic
January 20, 2026

The first woman to enter a world championship GP, Maria Teresa de Filippis paved the way for female racers as she tenaciously fought her way onto a Formula 1 grid charged with deadly risk. But the late pioneer had a more humble view of her achievements

Maria Teresa de Filippis puts on crash helmet ahead of the 1958 F1 Monaco Grand Prix

Maria Teresa de Filippis' first attempt to join the F1 world championship grid was at Monaco in 1958

Motor/LAT

Matt Bishop profile pic
January 20, 2026

Ten years and 12 days ago — on January 8, 2016, therefore — Maria Teresa de Filippis slipped quietly from a noisy world that had once vibrated to the timbre of her courage. She was 89, and by then Formula 1 had become a global colossus of data streams and brand strategies, a far cry from the low-profile but high-danger am-dram in which she had briefly been a supporting actress. Yet anniversaries have a way of shrinking time, and so it feels right, and necessary, that we should pause now and listen again for the echo of a Maserati 250F accelerating through the Ardennes trees, driven by a woman who had no business being there, according to the prejudices of her age, yet also had every right, according to the deeper codes of talent and tenacity.

She was born in 1926 into privilege of an old-world sort, and she was raised near Naples in a 16th-century palazzo whose thick stone walls had absorbed centuries of history long before the sound of internal combustion had ever echoed off them. Her family was noble and cultured, but otherwise conventional, and motor sport was not, on the face of it, an obvious destiny for a young countess. But Italy between the wars was a place in which the motor car was becoming a totem of modernity, and where speed portended romance as well as risk. She grew up amid elegance and formality, but she was also spirited, competitive, and, by her own later admission, stubborn. When her brothers teased her by suggesting that she would be too slow to race, she responded not with words but with action, climbing into a Fiat Topolino and discovering, to her own surprise as much as to anyone else’s, that she was rather good at this driving thing.

De Filippis was drawn ever deeper into the glamorous but lethal vortex of F1

She took her first racing steps in the colourful, unruly, and quixotic arena of post-World War II Italian motor sport, where road races stitched together villages, mountains, and seafronts, and where courage was just as valuable as cash. Fortunately, she had both. In 1948, at 22, she entered her first race, the Salerno-Cava dei Tirreni sprint, winning the 500cc touring car class, after which she moved up to, and enjoyed more success in, the 750cc class. By the early 1950s she had taken a further step up to an 1100cc Osca, an acronym for Officine Specializzate Costruzione Automobili, that exquisite little machine conceived by the Maserati brothers after they had left the company that still bore their name. By the mid 1950s she was no longer a novelty but a contender, respected if not universally welcomed, and her progress was propelled not by ideology but by appetite: she liked racing, she enjoyed driving fast, and she loved measuring herself against the best.

That appetite brought her into the orbit of men who would shape her career and conquer her heart. Luigi Musso – dapper, troubled, and quick – became her lover and mentor, encouraging her to think bigger, to aim higher, and to consider top-tier single-seaters. Jean Behra – fast, brave, and possessed of a volcanic temper – would later play a similar role. They were men for whom danger was an occupational hazard and intensity a lifestyle choice, and through them de Filippis was drawn ever deeper into the glamorous but lethal vortex of F1 in the 1950s.

Maria Teresa de Filippis in Maserati 250F at 1959 Silverstone International Trophy

On track at Silverstone in the 1959 International Trophy

Autocar/LAT

F1 was in those days less a closed shop than a rickety bazaar, and entry was gained as much by persistence as by patronage. In 1958 de Filippis acquired a Maserati 250F, by that time an F1 car of mythic status, and she set out to race it in that year’s F1 world championship. The response from some quarters was predictably patronising. Toto Roche, the famously patrician director of the Reims circuit, told her that the only helmet a woman should wear was a hairdresser’s. She remembered the remark decades later, not with bitterness so much as with bemusement, as though sexism were simply another obstacle on a route already strewn with them.

Her first F1 foray, Monaco 1958, proved to be a step too far. The circuit was even less forgiving then than it is now, the field was large and strong, and no-one was surprised when she did not qualify. Mind you, neither did past Monaco legend Louis Chiron, aspiring F1 impresario Bernie Ecclestone, or future film director Bruce Kessler, among quite a few others. Yet she persisted, and the following month she arrived at Spa-Francorchamps, then a fearsome 8.8-mile (14.1km) ribbon of public road threading flat-out through forest and farmland, for the Belgian Grand Prix. There, against expectations both malicious and benign, she qualified, she started, she raced, and she finished. Tenth place might not sound like much now, and Tony Brooks lapped her twice on his way to victory for Vanwall, but, in a race attritional even by the standards of the time, it was an achievement of substance. She brought her Maserati home intact, and her driving had been smooth, sensible, and determined. She had become, quietly and without fuss, the first woman ever to race in a world championship-status F1 grand prix.

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Two more world championship-status F1 grand prix appearances would follow later on in the 1958 season. At Boavista, the brutal Porto street circuit, she qualified 15th and was running steadily before her Maserati succumbed to engine failure. At Monza, the temple of speed and testosterone, she qualified 21st – and, again, in the race, her 250F’s engine let her down 13 laps from the end.

She had also raced her Maserati in that season’s Syracuse Grand Prix, in Sicily, for which non-championship F1 event her paramour Musso had been Ferrari’s sole entrant. In practice he drove a few laps at reduced pace, instructing her to follow in his wheel tracks so that she could learn the lines and braking points. That she did, qualifying eighth and finishing fifth. Musso bagged the pole and won the race, carving fastest lap en route. One imagines that their celebrations may have involved a particularly spirited bout of lovemaking that Sunday night, but I admit that I have no evidence for that other than romantic supposition.

The following year, 1959, she entered another non-championship F1 race, the International Trophy at Silverstone, in her by then ageing Maserati. She qualified it 23rd and last, then she ran at the back until transmission failure intervened 10 laps from the flag. A week later she was back at Monaco, this time in a Behra-Porsche resplendent in the bleu de France of its eponymous progenitor, but she failed to qualify. And that, as far as F1 was concerned, was that. She never tried again.

“I realised then that racing would no longer give me happiness”

Her F1 results had been modest, but in her case presence mattered as much as position, and every lap she completed chipped away at a chauvinistic assumption that had been calcifying over decades. Besides, she stopped racing not because she was embarrassing herself – she was not – but because the tide of her life was turning. Musso had been killed at Reims in 1958, then Behra died at Avus in 1959, both of them losing their lives in the throes of the glorious exertion that had originally bound them to de Filippis. The cumulative effect of those losses was profound. Racing had always been dangerous, but now danger had assumed the names and faces of men she had loved. She later spoke of the emptiness that followed, of the sense that the joy had gone. “I realised then that racing would no longer give me happiness,” she said, a simple sentence that carried the weight of irreversible decision. And so, at just 33, she stepped away from top-level motor sport, closing a chapter that had been brief but seismic.

For many years she lived outside the world’s pitlanes and paddocks – marrying, raising a family, and watching from a distance as F1 professionalised and expanded. Yet she was never entirely absent. In 1979 she became involved with the Club Internationale des Anciens Pilotes de Grand Prix de Formula 1, which had been formed in 1962 at the Roc d’Orsay restaurant in Villars, Switzerland, by Louis Chiron, Emmanuel de Graffenried, and Juan Manuel Fangio. In 1997 she became its vice president, and in that role until she finally stepped down in 2011 she acted as a bridge between generations. She attended the odd F1 grand prix, typically Monaco and Monza, and she often used to breakfast in the McLaren paddock hospitality unit when I was the team’s communications and PR director. Few recognised her. When I once asked her about being a pioneer of women’s sport, she deflected the label with characteristic modesty, insisting that she had never set out to make a statement. “No,” she said, “I simply wanted to race.”

Maria Teresa de Filipis looks back from her Maserati 250F at Silverstone in 1959

De Filippis stepped away from racing in 1959, shaken by the deaths of drivers close to her

Evening Standard/Getty Images

History, however, had other plans for her, as surely does posterity, and it is impossible to consider her legacy without confronting the stark arithmetic that surrounds it. Since de Filippis made her last attempt to qualify for a world championship-status F1 grand prix, at Monaco in 1959, only four other women have done the same thing: Lella Lombardi, Divina Galica, Desiré Wilson, and Giovanna Amati. Of those, only Lombardi succeeded, starting 10 F1 grands prix in 1975 and two in 1976, scoring half a point for sixth place in the 1975 Spanish Grand Prix, which had been aborted owing to a horrendous accident after just 29 of its scheduled 75 laps. So, yes, in three-quarters of a century of world championship-status F1 racing, only two women have ever taken the start of a pukka F1 grand prix. Just two. And 779 men.

De Filippis believed that the barriers to female participation were not necessarily physical, nor even financial, but cultural. She spoke of the loneliness of being the only woman in the F1 pitlanes and paddocks, of the scepticism she had to battle, and of the way that curiosity sometimes curdled into condescension or even hostility. Yet she also spoke of kindness, of mechanics who respected her feel for a race car, and of rivals who judged her by her achievements rather than by her gender. Her story is not a simple morality play but a textured human drama, full of struggle and grit, set in an era when the consequences of failure could be terminal.

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To admire her is not therefore to indulge in nostalgia but to recognise lineage. Every woman who has since climbed into a single-seater, from Lombardi to the present generation, did so and still does so in a landscape that de Filippis helped clear. That the clearing has not yet widened enough is not her fault. Indeed, her example throws into sharper relief our sport’s sluggish progress in that regard. F1 has changed almost beyond recognition since 1958, but in terms of encouraging with more than lip service what we now refer to as diversity, equity, and inclusion it remains stubbornly static, as though the lesson written by a countess in a Maserati nearly 70 years ago is still yet to be read, let alone learned.

So, on the 10th anniversary of her passing, it seems right to remember Maria Teresa de Filippis not as an anomaly but as a trailblazer, albeit one whose trail has not yet been properly blazed. She did not shout, and she did not sermonise; she simply turned up, she pulled on her helmet, and she raced. Yet in so doing she expanded the possible. And, somewhere, a young girl is watching F1 now and imagining herself on that grid, undeterred by history, and inspired, knowingly or not, by a woman who once threaded a Maserati through Eau Rouge and into the record books. When that young girl breaks through to F1, as surely one day she will, the echo will resolve at last into fulfilment, and Maria Teresa de Filippis’s brave, brief journey will have been rewarded by its long awaited sequel.