The audio/visual nature of the exhibition means that story telling is weaved into the six rooms, ranging not just from the acts of sporting greatness the championship has witnessed, but also the groundbreaking technology which has driven one of the most lucrative shows on earth – with all its associated power struggles included too.
“Everything is represented here from this sport, because it’s multi-faceted,” says former Williams and Jordan driver Hill at the launch event, emphasising the potential the exhibition has to attract new and younger enthusiasts.
“It’s a mix of all kinds of skill sets. Even if it’s graphic design – look at the McLaren MP4/4’s simple, effective colour scheme behind me – if you’re into engineering manufacturing, science and technology, if you’re interested in just journalism, photography or the politics, it’s here.”
As well as the eye-catching cars, smaller displays are just as noteworthy. Entry forms for early British Grands Prix are signed by Dan Gurney and Jack Brabham, as well as committee minutes for early Silverstone races.
This banal minutiae takes on a huge significance with the weight of history behind it, with Hill noting the hay bales cost £250 for an early British GP.
“They would never have known where this was going,” he says. “They just thought ‘This is a blast!’ My dad [two-time world champion Graham] started as a mechanic with drives from Colin Chapman as payment, and the Lotus 16 chassis he worked on is over there!