Bugatti — the Italian decade book review

Prestige, cashflow, jobs – all seemed assured with Bugatti’s rebirth. Gordon Cruickshank learns what stifled the dream

In 1990 Bugatti’s shiny factory

Glittering dreams: in 1990 Bugatti’s shiny factory heralded a new supercar player – but is now a sad symbol of failure

Getty Images

It was a bold adventure – resurrecting a defunct marque with a huge story behind it, and for a while it seemed to have succeeded. Then everything went wrong for the reborn Bugatti…

Today around Monte Carlo or Kensington you can see plenty of evidence that Bugatti continues, but only because in 1998 the Volkswagen Group bought out the bankrupt firm. This book tells the story of the 10 years before that, years of excitement, squabbling, drama and high hopes that saw the revered name reborn as an Italian firm instead of a French one – only to be liquidated as the result of recession, disastrous sales and cashflow problems.

Guatam Sen has been associated with many of the key players and gained access to the company’s archives, making this a very detailed account of a brave undertaking. He also approached prime backer Romano Artioli for an interview though only managed an e-mail exchange as Artioli, was publishing his own book. But, says Sen pertinently, there were many players, many viewpoints “and many truths”…

Artioli holding a Bugatti part

A surprise to me was finding that one of those discussing the idea of a new supercar was Ferruccio Lamborghini, though only as a sounding board – “Running a factory is a lot of trouble, too many sleepless nights,” said the retired manufacturer. Not only that, but they initially thought of calling the new venture by a totally new name – Bugatti wasn’t the first proposal but once they had settled on the glamorous but defunct oval badge there was a scramble to collect up all rights to the Bugatti name.

In between the tale of this troubled decade Sen offers us background information on the people – engineers Paolo Stanzani, who inspired the project, and Nicola Materazzi, previously father of the F40 – as well as the companies involved such as Bertone, one of several design houses vying for the commission, and Tecnostile who engineered much of the EB110. Drawing and component photos give a good idea of the complex mechanicals.

Many felt (as I do) that a Bugatti should be a grand routier de luxe, but Artioli chose to build a mid-engined supercar, so Sen runs through contemporary rivals then creating a new ‘money no object’ market sector, such as 959 and F40, both sales successes, and Cizeta V16T, a supercar with 16 transverse pots which rose without trace.

Artioli’s team flagged the scale of the new operation with a glamorous new factory near Modena, where something in the water makes Italian pedigree bloodlines flourish. Just not this one: the once-glittering building now sits empty and decaying.

But putting the quad-turbo V12 in the back of the new Bugatti made it hard to carry any visual inheritance from the Molsheim cars, especially that horseshoe grille. A large section on shaping the new car tells a story of what frankly looks like flailing about to establish a look, including the sacking of Stanzani and the defection of respected designer Marcello Gandini who said “the broth was getting messy” and refused to have his name connected with the endlessly tinkered and frankly lumpy final shape.

Bugatti’s prototype luxury four-seat EB112

Bugatti’s prototype luxury four-seat EB112 diverted crucial funds from the already ailing firm

Alamy

Indeed the whole affair seems to have been messy, with people being drafted in and leaving with little sense of a core team or philosophy. Ferrari legend Mauro Forghieri arrived, then baled out and even main-man Artioli sold his stake and bought into Lotus in 1994. By then as Sen details, a recession and poor sales were strangling cashflow with suppliers refusing to supply, while the stillborn EB112 luxury four-seater project had hoovered up vital funds. Despite endless press attention for the outrageously fast SS and a half-hearted race programme, potential customers looked at offerings from Ferrari and Porsche, Jaguar’s XJ220 and McLaren’s handsome, well-developed and practical F1, and made more sensible choices. After 1995 when Italian courts closed the factory doors, Bugatti was once again history – until Wolfsburg stepped in.

Sen’s epilogue is even-handed about causes – lack of captaincy, turnover of lead figures, US luxury taxes, high warranty costs – in this complex and messy story, and he appears to give everyone their say. It certainly is a tale of many truths.

Bugatti – The Italian Decade book Bugatti – The Italian Decade

Guatam Sen

Dalton Watson, £125

ISBN 9781854433091 

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